It’s time for an overdue update! Happy December to all!
I’ve had a busy semester of writing, teaching, reading, and workshopping. Here are some of the highlights!
In October, I spoke at an event for Blindness Awareness Day hosted by UNF Leaders and Activists for the Disabled (LAD). Though the talk ended up being an hour, we recorded the first 20 minutes, and you can watch them here:
In November, I spoke about breaking disability stereotypes at another UNF event. This time it was the 3rd annual Community Learning Opportunity, hosted by UNF THRIVE, an organization that serves students with autism.
Later in November, I gave my second presentation as part of UNF Sigma Tau Delta’s Brown Bag Series. My talk was called Poetry, Passion, and Grammar. We explored some of my favorite poems and charted their unconventional use of intuitive grammar features.
My poems “Mint” and “Natural Compliance” appeared in the latest issue of Clemson University’s South Carolina Review, available only in print. These poems are especially important to me because they each honor a loved one who is no longer living. “Mint” was written for my great-grandmother, and “Natural Compliance” was written for my friend, Christina.
The December issue of Wordgathering features two of my pieces – a mini essay and a book review. The mini essay is called “Life of a Disabled Person as Rendered in Video Game Language“; it’s a satirical look at the social obstacles disabled people face.
The second piece is a full-length review of Border Songs: A Conversation in Poems by Ona Gritz and Dan Simpson. Border Songs is a brief beautiful chapbook that explores themes of myth, identity, love, faith, and acceptance.
I have recently discovered the phenomenal Poetry Barn – an organization that offers physical and online poetry workshops! In November, I took Jill Khoury’s workshop Writing Poems from the Body, a month-long course on exploring how our bodies shape our work. It was an intensely creative and productive time for me, so I immediately signed up for their December workshop, Foremothers: Imitating Women Poets, taught by Joshua Davis. Class just started this week, so I can’t wait to see what’s in store!
In the Works
I am, as always, writing writing writing. I am revising a piece on sacred singing and blindness for an academic disability journal. I’m planning an essay-length review of Rachel Carson’s extraordinary Under the Sea-Wind. And I’m prepping my Intro to Creative Writing course for spring!